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André Parente is full professor at the School of Communication of UFRJ and theorist of cinema, video and new media. In 1987, he obtained his doctorate at the University of Paris 8 under the guidance of Gilles Deleuze. In 1991, he created the Nucleus of Image Technology (N-Image) of the Federal University of Rio de Janeiro. Between 1977 and 2007, he made numerous videos, films and installations in which the experimental and conceptual dimensions predominated. His works were presented in Brazil and abroad (Germany, France, Spain, Sweden, Spain, Mexico, Canada, Argentina, Colombia, China, among many others). He is the author and organizer of several books: Imagem-máquina: a era das tecnologias do virtual (1993), Sobre o cinema do simulacro (1998), O virtual e o hipertextual (1999), Narrativa e modernidade (2000), Tramas da rede(2004), Cinema et narrativité (2005), Preparações e tarefas (2007), Cinema em trânsito (2012), Cinemáticos (2013), Cinema/Deleuze (2013), Passagens entre fotografia e cinema na arte brasileira (2015), among others. He is researcher of productivity in research 1B of CNPq. |
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Cinematics: the cinema of artists in Brazil
Description This research aims to map and analyze the main trends of experimental and expanded cinema created by Brazilian artists. As we shall see, the production of moving images by artists was not only extensive, but also includes seminal works that deserve prominence in any major American or European cinematography. The bet is that, in our country, with rare exceptions, as is the case of Marginal Cinema, the experimental cinema is confused with the cinema of artist. In the project, a systematic approach was chosen, depending on certain transversal tendencies, and not for a historical or technological approach, often subject to certain determinisms. |
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